Theo Parrish & Daz-I-Kue remix Marcos Valle to celebrate Far Out’s 20 Year Anniversary
via FarOut Records: “A 12” single featuring two tracks by Marcos Valle – one of Brazil’s most accomplished artists and composers – remixed by underground dance music pioneers and long-time label friends, Theo Parrish and Bloodfire (aka Daz I Kue). The A side is taken from the forthcoming Brazilka compilation: …
Guest Mix #47: DJ KHALAB (Black Acre Records, London)
We’re very excited to host this exclusive mix from DJ Khalab, a new addition to the Black Acre Records roster, a label we’ve loved for quite some time now. Black Acre is one of the most interesting, diverse and daring electronic music labels out there, but also one of the most …
Mix of the Day: Radio Jakarta 007: Jannis (Jakarta Records) “Arabic 60s/70s Vinyl Mix Part 2”
via Jakarta Records: “I got to travel a lot in north africa in the last years thru touring with blitz the ambassador and the studio session with oddisee for sawtuha in tunisia. while being there i did some digging and found some incredible music from the 60s and 70s. some …
Essential Compilation: The Brazilian Boogie Connection – From Rio to Sao Paolo (1976 – 1983)
Brazilian music has always found a way to musically borrow from other cultures, while remaining true to its national heritage. From Bossa Jazz to Tropicalia Pyschedelic Rock, o som brasileiro resonated loud and clear, but with the advance of the Disco era it was increasingly harder to stay distinctive. Boogie …
Preview Emanative’s album with Four Tet collaboration “Makondi” (for the Steve Reid Foundation)
Gilles Peterson, The Steve Reid Foundation and Brownswood are delighted to announce the release of Emanative’s album “The Light Years of Darkness” Created with love for the Steve Reid Foundation Emanative’s latest body of work comes in the form of this incredible collaborative piece of art all in the name …
Mix of the Day: Discos Alma “Pana-Soul”
Latin rythms have influenced music throughout america but less is discussed about Soul music’s influence on latin music. Panama is a region overflowing with some of the finest latin soul ever put to wax but to put together a full mix of these songs is quite a digging feat indeed. …
Forgotten Treasure: Azuquita Y Su Orquesta Melao “Pura Salsa” (1975)
This week’s choice was inspired by this past weekend. On Saturday I had the pleasure of playing with some of my favorite selectors in between live sets from La Mecanica Popular, Bixia 70 and The Frightnrs. Heavy tropical rhythms that had that converted mechanic shop in Brooklyn rocking lovely until …
Guest Mix #42: BODY META (Montreal)
We’re happy to present a new mix from BODY META, aka Nico Sé and Dimitri two great Montreal DJ’s who decided to join forces a few months ago and have been for a year now. via Body Meta: This mix clocks in at just over two hours and embodies what we …
Future Classic: Ticklah “Ya Llego” feat. Mayra Vega
I can be a bit reluctant to “edits” and “versions” of certain tracks, especially classics. More often then not the edits tend to strip the original soul and flavor of the track and replace it with a monotone breakbeat or an ill-fitting rhythm. Back in the early parts of last …
Forgotten Treasure: Junior Murvin (Junior Soul) “Rescue the children”
Junior Murvin is well known for the title track of his first album, the massive “Police & Thieves“. The song has been covered by The Clash in 1977 and most recently by Zara McFarlane who did her own beautiful smooth version of this classic. No other tune from him got even …
Forgotten Treasure: The Brooklyn Sounds “Libre:Free” (Salsa Records, 1973)
New York City birthed salsa. Back in the late 1960’s and early 1970’s when the first generation Nuyorican population was bridging Puerto Rico with Nueva York, the rhythms they gave life to, and equally gave them life, was salsa. It was an ill combination of various rhythms from Puerto Rico, …
Forgotten Treasure: The Blue Bells “Come Along” (1976)
Absolutely fantastic slept-on roots gem from the mid-70’s. Perfect for a cold winter day. “Come Along” was the biggest hit from The Blue Bells: Hector Wright (Lead) + and Raphael Martin (Harmony) and produced by Wright. It was recorded at Lee Scratch Perry‘s legendary Black Ark Studios. One of the …